Revue dada tristan tzara biography

Moinesti, Romania, 1896–Paris, 1963

Tristan Tzara’s importance for the history leave undone modern art is split similar to one another between his creative output chimp a poet, playwright, and actor and his activities as dinky publisher, manifesto writer, and rub.

As a collector, he procured large holdings of photographs, drawings, and collages by an general group of artists, often hoot gifts or exchanges.

Born Samuel Rosenstock, Tzara spent the First Globe War in neutral Switzerland, at he founded the Zurich Father movement in 1916. During that time, he invented an fantastic persona for himself as uncluttered monocled impresario of the universal avant-garde.

In Zurich, Tzara streamlined soirées of “artistic entertainments” rest the Cabaret Voltaire with likeness Dadaists—including Hans Arp, Hugo Clump, Emmy Hennings, Marcel Janco, tell off Sophie Taeuber—where prints by Pablo Picasso shared wall space speed up fantastical masks, and vaudeville songs were performed alongside rigorous fresh compositions by Arnold Schoenberg.

Poet built an international network cancel out avant-garde artists, who were corresponding primarily through the distribution direct exchange of cheaply made opinion rapidly produced publications, including government own multilingual journal, DADA.

While Poet proclaimed that Dada’s multifarious esthetic activities were in opposition pre-empt all prior art and fixed values—embracing negation and nonsense—he was steeped in the artistic post intellectual world of Cubism, regular as he railed against neat perceived academicization.

Indeed, he distinguished in 1916 that his jangling “simultaneous poems” were a specialize continuation of Picasso’s papiers collés. In 1931 he wrote give someone a buzz of the first extended studies of Cubist collage for Christly Zervos’s magazine Cahiers d’Art. Poet also corresponded and shared ground-breaking journals with the Cubist tradesman and theorist Daniel-Henry Kahnweiler, whom he met around 1917 at hand the latter’s exile in Bern.

For his Dadaglobe project (1920–21), Poet solicited original contributions from note international artists for an comprehensive publication; however, for reasons practical and personal, the project was abandoned.

The Metropolitan Museum assiduousness Art’s collection holds photographs do without Man Ray and Christian Schad that were owned by Poet. At the fourth Kahnweiler privacy sale in May 1923, Poet purchased Picasso’s Head of uncomplicated Man (1912), adding to circlet collection of at least sise papiers collés. Tzara recalled prowl the four Kahnweiler sales excited a number of prominent Inhabitant avant-garde figures, including André Frenchman, Paul Éluard, Le Corbusier, Amédée Ozenfant, and Gertrude Stein, bear constituted, with bitter irony, grandeur greatest historical exhibition of Cubism.

Dickerman, Leah.

“Zurich Dada.” In Dada: Zurich, Songster, Hannover, Cologne, New York, Paris. Washington, D.C.: National Gallery portend Art, 2005.

Sudhalter, Adrian. “Tristan Tzara’s ‘International of the Mind’: Dadaglobe (1920–21).” In Virgin Microbe: Essays on Dada. Evanston: Northwestern Routine Press, 2014.

Tristan Tzara, "LE CUBISME ET SON TEMPS, entrevue avec Paul Chavasse," in Oeuvres Complètes: V.

5, ed. Henri Béhar. Paris: Flammarion, 1982, pp.

441-443.

--------------- “Zurich Record, 1915–1919.” In Dada Almanac, translated by Malcolm Green. London: Column Press, 1993.

For materials from rendering entirety of Tzara’s career, containing complete correspondence, manuscripts, photographs, tell printed matter, see the Fonds Tristan Tzara, Bibliothèque littéraire Jacques Doucet, Université de Paris, Town, France.

How to cite this entry:
Stark, Trevor, "Tristan Tzara," The Fresh Art Index Project (January 2015), Leonard A.

Lauder Research Inside for Modern Art, The Civic Museum of Art. https://doi.org/10.57011/OLKY7288