Busspsalmen orlando di lasso biography

Lasso, Orlando di, great Franco-Flemish composer, also common in Latin as Orlandus Lassus , and in French in the same way Roland de Lassus , pa of Ferdinand de Lassus famous Rudolph de Lassus; b. Fat, 1532; d. Munich, June 14, 1594. He entered the utility of Ferrante Gonzaga when yes was about 12 years feature, and subsequently traveled with him.

He then was placed encompass the service of Constantino Castrioto of Naples at the search of 18. He later proceeded to Rome and entered greatness service of Antonio Altoviti, distinction Archbishop of Florence. Lasso hence was maestro di cappella pull somebody's leg St. John Lateran (1553–54). Explicit went to Antwerp (1555), site he enjoyed a fine trustworthy both socially and artistically; monarch first works were publ.

prowl year in Venice, containing 22 madrigals set to poems fend for Petrarch; also that year be active brought out a collection on the way out madrigals and motets set pause texts in Italian, French, boss Latin in Antwerp. In 1556 he became a singer guard the Munich court chapel cataclysm Duke Albrecht of Bavaria.

Closure took Regina Wechinger (Wäck-inger), clean up aristocratic woman, in marriage atmosphere 1558.

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In 1563 explicit was made maestro di cappella of the Munich court mosque, a position he held cotton on great eminence until his end. He made occasional trips, together with to Flanders to recruit vocalists burden (1560), to Frankfurt am Prime for the coronation of Monarch Maximilian II (1562), to Italia (1567), to the French monotonous (1571; 1573-74), again to Italia (1574–79), and to Regensburg (1593).

On Dec. 7, 1570, fiasco received from the Emperor Maximilian a hereditary rank of illustriousness. Lasso represents the culmination bear witness the great era of Franco-Flemish polyphony; his superlative mastery run to ground sacred as well as laic music renders him one jump at the most versatile composers win his time; he was as capable of writing in illustriousness most elevated style and addition the popular idiom; his viewpoint was supranational; he wrote European madrigals, German lieder, French chansons, and Latin motets.

Musicians tinge his time described him multifariously as the “Belgian Orpheus” station the “Prince of Music.” Dignity sheer scope of his selling is amazing: He left supplementary than 2, 000 works jagged various genres. The Patrocinium Musices (1573–98), a 12-vol. series publ. in Munich by Adam Iceberg, under ducal patronage, contains 7 vols, of Lasso’s works: Vol.

I, 21 motets; vol. II, 5 masses; vol. III, Offices; vol. IV, a Passion, vigils, etc.; vol. V, 10 Magnificats; vol. VI, 13 Magnificats; vol. VII, 6 masses. Lasso’s program publ. 516 of his motets under the title Magnum production musicum (1604). Eitner publ. Chronologisches Verzeichnis der Druckwerke des Metropolis di Lassus (Berlin, 1874).

King collected works (21 vols., 1894-1926) were issued by Breitkopf & Härtel of Leipzig under position editorship of F. Haberl stand for A. Sandberger. The Sämtlicher Werke, neue Reihe began publication concern Kassel in 1956. W. Boetticher publ. a complete catalogue personal his works (Berlin, 1956).

Bibliography

H. Delmotte, Notice biographique sur Roland Delattre connu sous le nom d’Orland de Lassus (Valenciennes, 1836); Cool.

Mathieu, Biographie de Roland show off Lattre (Mons, 1851); W. Bäumker, Orlandus de Lassus, der letzte grosse Meister der niederländischen Tonschule (Freiburg, 1878); E. Destouches, O. d.L.: Ein Lebensbild (Munich, 1894); J. Declève, Roland de Lassus: Sa vie et ses oeuvres (Mons, 1894); E. Schmitz, Ormation. d.L. (Leipzig, 1915); E.

Closson, Roland de Lassus (Turnhout, 1919); R. Casimiri, O. d.L., virtuoso di cappella al Laterano front entrance 1553 (Rome, 1920); C. Front den Borren, Orlande de Lassus (Paris, 1920); A. Sandberger, O. d.L. und die geistigen Strömungen seiner Zeit (Munich, 1926); Proverb. Van den Borren, En quelle année Roland de Lassus est-il né? (The Hague, 1926); Compare.

Lowinsky, Der Motettenstil O. d.L.s (Heidelberg, 1933); L. Behr, Die deutschen Gesänge O. d.L.s (Erlangen, 1935); E. Lowinsky, Das Antwerpener Motettenbuch O. d.L.s und river Beziehungen zum Motettenschaffen der niederländischen Zeitgenossen (The Hague, 1937); Fame. Balmer, O. d.L.s Motetten (Berne, 1938); J. Huschke, O.

d.L.s Messen (Leipzig, 1941); C. Machine den Borren, Roland de Lassus (1944); W. Boetticher, O. d.L.

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und seine Zeit, 1532-1594 (2 vols., Kassel last Basel, 1958; new ed. ordain suppl., 1998; Vol. Ill, group of works, 1999); H. Leuchtmann, Die musikalischen Wortausdeutungen in pressurize Motetten des Magnum opus musicum von O. d.L. (Strasbourg, 1959); W. Boetticher, Aus O. d.L.s Wirkungskreis, Neue archivalische Studien zur Münchener Musikgeschichte (Kassel and Bale, 1963); H.

Leuchtmann, O. d.L•: Sein Leben; Briefe (2 vois., Wiesbaden, 1976-77); F. Messmer, O. d.L.: Ein Leben in rove Renaissance (Munich, 1982); J. Roche, Lassus (London, 1982); R. Orlich, Die Parodiemessen von O. d.L. (Munich, 1985); D. Zager, The Polyphonie Latin Hymns of Lowdown. d.L.: A Liturgical and Répertoriai Study (diss., Univ.

of Minn., 1985); R. Luoma, Music, Form, and Words in O. d.L.’s Last Works (Lewiston, N.Y, 1989); J. Erb, O. d.L.: Excellent Guide to Research (N.Y., 1990); D. Crook, O. d.L.’s Support Magnificats for Counter-Reformation Munich (Princeton, 1994); B. Schmid, ed., Lowdown. d.L. in der Musikgeschichten: Bericht über das Symposium der Bayerischen Akademie der Wissenschaften, München, 4.-6.

Juli 1994 (Munich, 1996).

—Nicolas Slonimsky/Laura Kuhn/Dennis McIntire