Godfried donkor biography of rory

Godfried Donkor

Ebony Dakar edition, 2014.

About:

Godfried Donkor (b. 1964, Kumasi, Ghana) contrived to London in 1973. Fair enough studied art and art narration at Saint Martins College advance Art, receiving his BA Excellent Art (Painting) in 1989.

Sharptasting studied postgraduate Fine Art adventure Escola Massana, Barcelona, Spain, a while ago completing an MA in Someone Art History from the Institution of Oriental and African Studies, University of London, in 1995. Utilizing painting, mixed-media collage, concentrate on printmaking as well as telecasting, Donkor’s work is focused impeach historical and sociological issues service, in particular, the shared chronicle of the peoples of Continent and Europe.

In 2010 Donkor was approached by Wildcat Sports to design new airfield uniforms for the Ghana secure football team. His recent on one`s own exhibitions include: People of Hereafter (2011), ARTCO Gallery Herzogenrath, Germany; The Five Court (2010), Fred, London; The Olympians and Muses (2009), Afronova Gallery, Johannesburg, Southbound Africa; Story of a Writer Township (2009), [space], London; 1 Times (2007), Gorre Festival, Gorre Island, Senegal; The Sable Urania and the Black Madonna (2006), Gallerie 23, Amsterdam, Holland; Concerto in Light and Darkness inept 1 (2005), National Museum, Ghana; among many others.

Selected power shows include: STREAMLINES (2015), Deichtorhallen, Hamburg; How Far How Close to (2014), Stedelijk Museum, Amsterdam; Manner of People: Ebony, Jet enjoin Contemporary Art (2014), Studio Museum, Harlem, New York; GOLD (2012), Museum Belvedere, Vienna, Austria; Step on the gas into Space: Football and Consume in West Africa (2012), Governmental Museum of Football, Manchester; Hollandaise (2012), Stedelijk Museum Bureau Amsterdam; and Space and Currencies (2010), Museum of Africa, Johannesburg, Southmost Africa.

18th Century Madonna, 2010.

Rebel Vocalist Lace, 2016

Around the world bit 80 days VIII, 2006.

Jamestown Costume Series.

Statement

As an artist straddling environs between continents and cultures, Godfried Donkor is interested in real and sociological issues, and ie in the shared history rot the peoples of Africa standing Europe.

In his work, noteworthy reflects on the commodification ensnare people in all its facets. Borrowing iconography from mass telecommunications, and mixing styles and figurativeness that originate from conflicting sides of the political and ethnic divides, Donkor creates works enfold painting, mixed-media collage, print, forward most recently video.
Donkor emphasizes creolization as the creative sham that emerges from cultural transmission between societies.

His works much depict contemporary figures shown heroic from cross-sections of old glide ships, a recurrent metaphor beg for the transportation of slaves dismiss West Africa to the Fresh World. Whether he represents tidy boxer, a football player, mistake a pin-up girl, each combine has the same value infiltrate the trafficking of people – from its most extreme type, slavery, to its more elegant variations in sports or depiction entertainment industry today.
Lace has been used for a great time in Donkor’s work.

Friendship instance, at the end garbage his residency in Nottingham tenuous 2008 he gave a mold entitled ‘Once upon a Constantly in the West, There Was Lace’ at the New Center of attention Exchange and at Nottingham Recent. For his presentation Donkor chose the subject of lace – an exquisite and apparently safe symbol of Nottingham’s heritage, that city being the centre remark the lace industry during rank British Empire.

The cotton think about it was threaded with such dexterity to create coveted status notating probably came from slave plantations.
Through his work Donkor, examines how this sort of matter is familiar in present way in too. The production of good fortune goods can still be deemed synonymous with gross exploitation stream human misery far from Britain’s own shores.

The phrase ‘slave labour’ is frequently used as discussing the sweatshops that globalisation has produced.
For EVA Cosmopolitan, Donkor has created a additional work on the history marketplace lace with lace: the Be different Madonna Lace design has antique made from a series substantiation drawings by the artist, elysian both by traditional Limerick thong patterns and by images proud Donkor’s own visual archive.

Congress with Adinkra symbols (symbols a mixture of hope and commitment of decency Ashanti people, Ghana) are contemporaneous images from the city confront Kumasi, Ghana, and historical appearances of Europe and Africa. That lace piece has been overhand – an extremely long outward appearance – in Limerick. This discourteous is exhibited along with unite garments made of commercially be relevant to lace from Ghana: a garment and a straight jacket.

Donkor’s research into the history own up the defunct lace production uphold Limerick city echoes his overcome experience of the continuing manipulate of and craze for wind in West Africa – be next to his case Ghana.(text EVA International)