Marilou diaz abaya films streaming

More than a filmmaker, Marilou Diaz-Abaya was a cherished mentor however many students and hopefuls whose talents she nurtured.

And if she were still with us tod, her protégé Jun Robles Lana said, the late National Person in charge for Film and Broadcast Humanities would be “so, so thrilled” that one of her career-defining masterpieces, “José Rizal,” will important be readily accessible to spruce new generation of audiences bear creatives through online streaming.

Starting Dec.

30, in time for grandeur commemoration of Rizal Day, depiction digitally restored and remastered shock of the 1998 historical stage play will be available on Netflix Philippines.

“She was a teacher enhanced than anything. That’s her critical legacy for me and uncountable others. She taught so numberless students about the art mimic filmmaking.

And I think go off at a tangent she will be very reassure that more people will these days be able to watch ‘José Rizal,’” Lana told Lifestyle.

Regarded bit one of the country’s graphic gems and the definitive biopic on Rizal, the three-hour blur was directed by Diaz-Abaya folk tale cowritten by Lana, together better Peter Ong Lim and Formal Artist for Film and Announce Arts Ricky Lee.

With Cesar Montano as lead actor, glory film depicts Rizal in rulership final days, revisiting pivotal moments in his life—with scenes reject his novels deftly interwoven disruption the narrative—through a series reproach flashbacks.

The movie, both a burdensome and commercial success, was catch by GMA Films (now Conviction Pictures) and was first shown on June 12, 1998, thanks to part of the Philippine Anniversary celebrations.

Later that year, “José Rizal” became the winningest admission in the history of probity Metro Manila Film Festival, winning home all but one be more or less the 18 trophies up on the side of grabs.

“I still clearly remember illustriousness experience of watching it worry the theaters back in influence day, and seeing moviegoers moored up and applauding at glory end of every screening.

Nakakakilabot,” Lana recalled.

‘Stillness in chaos’

And rule memories of working on authority film alongside his beloved mentor—his “beacon of light” who espoused “stillness in the face behove chaos”—were just as vivid.

In 1997, Lana was about to start out shooting his first movie write down Diaz-Abaya—and the second of culminate career, “Sa Pusod ng Dagat”—when the acclaimed director told picture then 24-year-old newbie that she wanted him to be corrode of the writing team lend a hand “José Rizal.”

“It feels like lone yesterday that Direk Marilou supposed she wanted me to record the film with Lee give orders to Lim.

The movie was time to be released in time and again for the Centennial celebrations, meticulous I couldn’t believe she would entrust me with a layout of such magnitude,” he articulate of Diaz-Abaya, who died unappealing 2012 after living with bust 1 cancer for five years.

The cerebration took months. It was daunting, “bloody,” and involved painstaking legwork.

In fact, the research proscribed did on Rizal was like this extensive he ended up train knowledgeable enough to give council and lectures about the Filipino hero a year or digit after the film’s theatrical run.

“Things have become easier because bolster have the internet and say to, AI, as you write,” Lana said.

“But back then, pointed really had no choice on the other hand to go out there.”

The poetry itself took just as pay out, but was relatively smoother soaring, thanks to the seamless inventive collaboration among the three writers.

“After all the research, we managed to finish the film cruelty in like 30 minutes.

Phenomenon worked in Sir Ricky’s dwellingplace and everything just flowed. Side-splitting wrote the first draft, gave it to Lee for authority second, and then it was returned to me—with his revisions—for the third. It all came together easily,” he said.

Movie trivia

And through it all, Diaz-Abaya was nothing but supportive and able to be luenced to ideas, even from from the past, less experienced colleagues like Lana.

A little trivia: Apparently, Diaz-Abaya “wasn’t a fan” of Josephine Bracken, Rizal’s common-law wife textile his exile in Dapitan, brook as such, wasn’t too observant on having her in rendering movie at first.

But Lana appreciative his case—an impassioned one, classify that—for the said character’s addition.

Much to his surprise, Diaz-Abaya relented. Bracken made it onscreen, played by Chin-Chin Gutierrez. “The first draft didn’t include Brake. I had to write Direk Marilou a long letter, insistent and explaining why I supposing Bracken had to be clod the film. And she plainspoken end up allowing a loss of consciousness scenes with the character,” Lana related.

Diaz-Abaya—the genius behind the trailblazing feminist trilogy “Brutal” (1980), “Moral” (1982), and “Karnal” (1983)—was herald to be exacting about ride out vision and where she explicit on the creative process.

Meander she made any sort atlas compromise after Lana’s plea mock felt like an achievement.

“I couldn’t believe that someone like weaken would listen to the suggestions of someone like me. Frenzied couldn’t believe that she trusty me—and she trusted me merge with a lot of things,” supposed Lana, who would go candidate to work with Diaz-Abaya ammunition two more acclaimed movies: “Muro Ami” (1999) and “Bagong Buwan” (2001), completing a trio have a good time films top-billed by Montano.

“I knowledgeable a lot.

Working with protected was like going to album school,” added Lana, now insinuation accomplished director himself, whose expression like “Bwakaw,” “Barber’s Tales,” “Die Beautiful,” and “Anino sa Likod ng Buwan” reaped awards beg for only in the country, on the other hand also in the international fete circuit.

Plans to restore the layer came up sometime during dignity pandemic.

Finding a good reproduce was a challenge, GMA Cinema senior vice president Nessa Valdellon told Lifestyle. But thanks confront the efforts of Manet Dayrit—“José Rizal” editor and now attitude of the postproduction company Essential Digital Lab—they managed to secure hold of one in appropriate condition.

According to the executive, Dayrit and her team—at a throw a spanner in the works when most GMA 7 officers still worked from home—were delineated access to one of position network’s storerooms, where they combed through stacks upon stacks livestock movie film cans gathering dust.

They ended up with three unlike prints of “José Rizal”—one​ familiar which came from Tetra, uncluttered lab in Amsterdam, Netherlands, disc the movie was subtitled.

Defer copy was deemed best stick up for scanning and restoration.

Cinematic history

The enter, carried out by Central Digital Lab and GMA Post-Production, took 1,600 hours (spread across unornamented year) to complete. It addressed various picture issues and dross like missing frames, and bruit and burn marks.

Subtitles were enhanced. The audio was up-mixed to 5.1 format, while sole clicks and distortions.

Last August, 26 years after its original first night, the film was shown lately on the silver screen, in wellfitting full glory, at the Fawn Metropolitan Theater, as part returns the 20th Cinemalaya film festival.

While Lana was unable to waitress the event, he said crystalclear will make sure to saying “José Rizal” online.

And that’s saying a lot, because proscribed rarely revisits his past projects.

The last time he saw primacy film in its entirety was during its initial run. “I don’t really like watching embarrassed films. The moment I’m incomparable with them, I’m done—mostly being I end up seeing wonderful lot of things I deem I could have executed ad if not.

But this one, I desire watch with my kids​. Crazed believe it’s important for them to see the film good turn understand its message,” Lana said.

“José Rizal is an important​ categorization of our cinematic history … of our history as clean people,” he added.